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John Ryan (Dublin artist)
・ John Ryan (Dublin hurler)
・ John Ryan (footballer, born 1930)
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・ John Ryan (footballer, born 1962)
・ John Ryan (footballer, born 1968)
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John Ryan (Dublin artist) : ウィキペディア英語版
John Ryan (Dublin artist)

John Ryan (1925–1992) was an Irish artist, broadcaster, publisher, critic, editor, and publican.
Ryan was a well-known man of letters, artist and a key figure in bohemian Dublin of the 1940s and 1950s. Founded Envoy, A Review of Literature and Art, in response to Irish trade and censorship restrictions. Friend and intimate (and sometime benefactor) to a number of struggling artists and writers in the post-war era, such as Patrick Kavanagh and Brendan Behan; Ryan's memoirs, ''Remembering How We Stood'', evoke literary Dublin of the period 1945-55. Involved in numerous literary events and happenings and, with Brian O'Nolan, organised the first Bloomsday.
==Biography==
John Ryan attended Clongowes Wood College and the National College of Art and Design (NCAD), Dublin. One of the eight children of Séamus Ryan,〔
(【引用サイトリンク】title=Mr. Seamus Ryan )〕 a member of Seanad Éireann, and his wife Agnes Ryan née Harding who came from Kilfeacle and Solohead respectively in County Tipperary and who were Republican activists during the Irish War of Independence. His mother was a patron of the painter Jack Yeats, amongst others. His sister was the actress Kathleen Ryan. Several of Ryan's children followed him into the arts: son and namesake John Ryan (journalist, publisher and actor); Seamus Ryan (photographer); Anna Livia Ryan (actress).
John Ryan studied at the NCAD, but was largely a self-taught painter through a practice of 'careful intelligent observation' combined with 'a genuine and humorous love of land, sea and human tradition' (Hilary Pyle, 'John Ryan exhibition in Cork', The Irish Times, 23 October 1981). He was a regular exhibitor at the Royal Hibernian Academy (RHA) from 1946 onwards, and also showed at the annual Oireachtas and the Irish Exhibition of Living Art (IELA). Designed theatre sets for the Abbey, Gate, Olympia and Gaiety Theatres as well as for the stage in London. He also acted in and produced several plays.
In response to Irish trade and censorship restrictions founded Envoy, A Review of Literature and Art (1949–1951), and was editor of The Dublin Magazine from 1970–75. As a writer and critic he contributed to literary magazines and newspapers. Publishing two memoirs, ''Remembering How We Stood'', a memoir of post-war literary Dublin, and ''A Wave of the Sea'' (Ward River, 1981), a marine memoir. A broadcaster from the early 1950s he became a long-time contributor to Sunday Miscellany on Radio Éireann (RTÉ Radio). Purchased The Bailey pub in 1957 which became a famous literary venue frequented by characters such as Kavanagh, O'Nolan, et al. A friend and intimate to a number of struggling artists and writers in the post-war period, such as Behan, Anthony Cronin, Patrick Swift, Seán O'Sullivan, Pearse Hutchinson, J. P. Donleavy and Brian O'Nolan, et al., he was also a benefactor to some of these artists, particularly Patrick Kavanagh. During the war years he very cheaply rented a space above the family's Monument Creameries store (now a Burger King) on Grafton Street to sculptor Desmond MacNamara, and which became the site for a famous bohemian salon attended by all of the foregoing names and many more.
Ryan was an important early champion of James Joyce's work in Ireland at a time when Joyce was largely ignored in his homeland: with Brian O'Nolan he organised the first Bloomsday celebration; in 1951 to commemorate the tenth anniversary of the death of James Joyce he published a special number of ''Envoy'' dedicated to Joyce "which would reflect the attitudes and opinions of his fellow countryman towards their illustrious compatriot"〔John Ryan, introduction to ''A Bash In The Tunnel'': James Joyce by the Irish (Brighton: Clifton Books, 1970)〕 (Envoy, Vol. 5, No. 17, April 1951), inviting Brian O'Nolan to be guest editor; edited ''A Bash in the Tunnel'': James Joyce by the Irish, Patrick Kavanagh, Brian O'Nolan, Samuel Beckett, Ulick O'Connor, Edna O'Brien (Brighton: Clifton Books 1970); saved Leopold Bloom's front door to 7 Eccles Street from demolition and used it in The Bailey pub in St. Anne Street, Dublin, from whence it was removed and transported to the Joyce Museum on N. Gt. George's St., Oct. 1995; arranged that the James Joyce Tower become a museum; Secretary of the James Joyce Society of Ireland 1970–74.

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